It’s a little straight–laced, given the series’ origins, but it also provides more diverse and engaging encounters. While previous Far Cry games have mostly pitted us against pirates, mercenaries, and cultists (not to mention mutants, evil cavemen, and cyber commandos), Far Cry 6 makes its bad guys a properly organized and equipped army. I know it’s technically legal in Cuba but. Or, more egregiously, there’s the cockfighting minigame that’s basically Mortal Kombat with chickens. The world itself seems like a gorgeous rendition of South and Central American life, but the script sometimes relies so heavily on specific colloquialisms that it feels like it borders on caricature. But it still feels trapped between presenting an authentic representation of Latin American culture and a gonzo’d-up version designed to please mainstream Western audiences.
FC6 clearly wants to be a more socially responsible game than its predecessors.įC6 clearly wants to be a more socially responsible game than its predecessors and – to its credit – it does make an effort to tackle some social issues, even if the script might stumble a bit over the reality of some of those moments. Similarly, relative newcomer Xavier Lopez shines in some powerful moments, and it’s great to see trans characters not only included but played by a trans actor – though nuance can still be a bit tricky for Far Cry. The rest of the voice cast is solid, too – particularly Glow’s Shakira Barrera, who’s beleaguered rancher–turned–rebel is easily one of the best supporting characters you’ll run into. That’s thanks to an earnest performance by actress Nisa Gunduz, who in no way feels like she’s playing second fiddle to the big–name celebrity on the box art.
There are certainly some great character moments throughout, and the decision to return Far Cry to third-person cutscenes is a good one, especially if you choose the femme version of main character, Dani Rojas. It does manage to balance its more serious main story with the more ridiculous aspects of its freeform gunplay better than any Far Cry game in recent memory – though I think it also leans a little too heavily on the trope of “grizzled-yet-goofy” veteran fighters. The story overall can be a fairly predictable affair, with all of the sudden-but-inevitable betrayals and tragic-yet-motivational character deaths you’d expect from a big-budget popcorn flick. Every one of Esposito's scenes is captivating. While a lot of the success of the character belongs to Esposito for his work on the role, the cinematic animation team deserves a commendation for translating the minute details in his performance onto digital character models. It’s a shame that the very end of the story doesn’t provide a clearer resolution for the many conflicts introduced throughout – though Castillo remains a memorable antagonist until the bitter end. He’s a boy trying to reconcile his understanding that the impact of our actions on others is more important than our own intentions with his father’s vehement belief that noble ends justify despicable means, which creates some powerful (if one-sided) tension throughout. Castillo's regime would be too preposterously evil to believe at times if not for its real-world inspirations.Ĭastillo’s underlings aren’t necessarily anyone to write home about, running the gamut from “psychotic navy Admiral” to “psychotic air force Captain” to “psychotic propaganda director.” They’re all played well, but even the more interesting inclusions of a North American pharma tycoon and Yara’s own friendly neighborhood mad scientist feel like familiar entries in the Big Book of Video Game Bad Guys – especially when compared to Esposito’s Castillo.Įvery one of Esposito’s scenes is captivating, particularly during the exchanges with his son, Diego. But it’s his unwavering devotion to his vision of a “perfect” Yara, along with Esposito’s natural gravitas and the stoic charm he projects to his still-loyal subjects, that make him a great foil to the chaotic diaspora of revolutionaries you’re working to unite as you attempt to topple the regime of El Presidente and his lieutenants. His regime would be too preposterously evil to believe at times, if not for its real-world South and Central American inspirations.
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Primarily modeled after Cuba, Yara is ruled by fascistic dictator Anton Castillo, who’s expertly portrayed by notorious TV bad guy Giancarlo Esposito with this performance, he has handily claimed the top spot on my list of favorite Far Cry villains (with apologies to Mr.